It's the darn face, you see. My reference image is a photo I took a couple of years ago, when a spanky male long-tailed duck showed up on our small local lake in the Rockies and spent December wowing the locals.
I was obsessed with this bird and took a lot of really cruddy photos. His favorite place to hang out was, of course, the middle of the lake, so most of my images were poorly-lighted and blurry. I loved the idea of of the wave pushed ahead of the bird, but in my super-high-contrast reference one side of his face was completely "blown out" white, and the shadow side was almost black. But hey! I can figure out the face and make a lino out of that, right?
Right.
When last I checked in with you I had just created a second block to try to repair the problems of the first.
Since it's been a while, here's a reminder of where we were:
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| Reduction linocut in progress, Step 13 |
I had decided to create a second block because I felt the shadowed side of the bird needed to be darker (and bluer).
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| Second block, masked |
And here's that second block, all inked up for what I thought would be the ONE color pass. The newsprint masks were used to protect the prints and keep any stray ink out of places it didn't belong... and it kept me from having to take the time to clear all the material from the background of Block 2.
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| Reduction linocut in progress, Step 14 |
Okay. Better. Now I can go back to the first block, right? Well, sort of. The long-tailed duck has this great patch of a sort of ocher-y-greeny color on the side of its face. It's too light by a long shot. I should have fixed this before I did the new shadow, but I didn't. Yes, ladies and gentlemen, this is one of those times when my lack of planning came back to bite my printmaking behind.
I couldn't use Block 1 for this, because that area had been removed several steps back. But I had that second block, so I cleared out all but the face color and printed only that shape.
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| Reduction linocut in progress, Step 15 |
It looks a bit frightening here, but value-wise it's closer to what I need. But now the dark shape just felt flat and boring. No problem. Some details of the eye on the shadow side and getting the rest of the dark portion of the beak in would fix that, right?
Of course this required going back to Block 1, because I had removed the eye area for the previous step on Block 2. (Are you confused yet? You should have seen ME.)
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| Reduction linocut in progress, Step 16 |
Hm. It's a little better... but not great. That side of the face still feels really flat. And the eye needs a darker ring around it. But what to do? I decided to make a small, slightly darker, shape around the eye. It took a ridiculous number of tries to get this shape and color right, but I think it helped. Can you see it?
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| Reduction linocut, Step 17. |
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| Detail of blended area |
This is getting really fussy, but I couldn't think of another way to resolve the problem. I suppose technically this is Step 18. Well, 18 and 19 together, because this detail shot shows the last pass at the eye and bill as well. But the softer, sort of "smudgy" color around the eye felt better to me.
At long last I went back one more time to Block 1 to finish the eye and bill... and I went ahead and put some more color in the wave, too, because why not? Here's a shot of the finished piece.
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| Slightly embiggenable with a click, this image. It needs a title, but so far all I'm coming up with is "Print That Should NOT Have Taken This Long to Finish." |
It's such a simple image that it seems ridiculous that it should have taken so much time and effort. There were several times when I thought I should just walk away from it and start over, but it's been a loooonnnnggggg time since I waved the white flag of surrender and gave up entirely.
But in the end I'm more or less satisfied. I do see one thing I'm tempted to change, but as that would require cutting a third block I have decided it's time to move on. What's next? No idea, but I bet it won't be a duck.
Or will it?
