Wednesday, December 31, 2008
Yes, it's been a bit of an art-free zone around here the last week or so. That little cold finally got to me (something about goofing around in bad weather with bighorn sheep gave it the upper hand) and I've been feeling decidedly sub-par. HOWEVER, I can still feel virtuous because I've jump-started my 2009 goals.
Yes, ladies and gentlemen, it's true.
I am upgrading my database.
It's not the most exciting way to end a year, that's for sure, but it's going to feel REALLY good to have it all up to snuff. For the last four days I've been sneezing and coughing and drinking echinacea tea in front of the computer... testing demo software and making decisions and spending money in between naps on the sofa. (sigh) I'm way overdue for this task. I had perfectly functional files until two years ago, when I upgraded my computer system and, of course, rendered half of my previous life obsolete. The old mailing list data went "temporarily" and imperfectly into a spreadsheet, where it has languished all this time. Same thing for my artwork records. I'm almost embarrassed to admit it, except that the new year is less than 8 hours away and I'm determined to start it on a positive note.
We'll be keeping a low profile again tonight, and tomorrow I think we'll spend a little more time fine-tuning our goals for the year ahead. I gave up on the whole "resolution" idea years ago, but I always find it helpful to spend the time between winter solstice and the new year reviewing my accomplishments and sketching out a course for the months ahead. I always have WAAAYYYYY more ambition than energy to get it all done, but a least I feel a little bit focused.
So.... from our house to yours, we send our very best wishes for the new year. Is it gonna be challenging? You betcha! But hey, at least I'll be organized.
Tuesday, December 30, 2008
Katherine Tyrrell over at Making a Mark has gone to enormous and thoughtful effort to compile and create a lovely series of awards for art and artists in the blogosphere. I am quite touched and honored to have been mentioned in the "Going Greener" category.
Do stop over and see her collection of great ideas, links, and information. Quite honestly, I don't know how she keeps track of it all, but I'm glad she does!
Saturday, December 27, 2008
Christmas Eve we had a lovely dinner out with friends, and Christmas Day we spent bundled up in the house making such a feast for two that we have leftovers to tide us for at least a week.
Oh, yeah. We're slowing-moving non-vertebrates, alright.
It's a good thing I had our penance for this time-squandering and caloric indulgence all lined up.
Each winter the local Division of Wildlife baits bighorn sheep in order to administer lungworm meds. Alfalfa hay and apple mash are put out each day... think holiday cookies for sheep. Once a goodly number of sheep are coming in to the site, meds are added to the apple mash and voila! Everyone gets dosed without the stress of trapping or darting.
We're fortunate here in our area, because volunteers are allowed to help with this daily "chore," and I've been able to participate in the project for several years. This year I was really excited to be able to bring the DM along A) to have the experience and b) to help.
Yesterday was our first scheduled day to bait, so of course when I got up it was snowing and blowing and miserable. It's a 25-mile drive up the valley to get the truck, the hay, and the apple mash... so just GETTING to the site might prove challenging. (sigh) Not precisely what I had in mind for the DM's first bighorn adventure, but whaterya gonna do?
The weather stayed, in the DM's words, "funky" all morning. A little ice, a little snow, a lot of wind. In places we were driving through 18 inches of untrammeled snow, and twice I got us nearly stuck. A little digging, a little swearing, a little calculated effort and we made it back out to the main road. Whew!
But, hey.. it was worth it. I was delighted to see 14 lambs among the 46 sheep that came in to the Chalk Creek site, and 2 more among the 18 sheep at Cottonwood. It's still pretty early in the season, so probably more sheep will come down in the next few weeks. I've got my eyes peeled for one in particular: a young ewe I helped tag two seasons ago. Could be she's gone off to new territory, could be she's gone off to the great sheep herd in the sky.. but could be she'll stop by for a bit of nostalgic apple mash tippling and we'll get to catch up on the news.
Monday, December 22, 2008
Remember I said the forecast for yesterday's Salida Christmas Bird Count called for a low of -5 F and a high of 14 F?
Imagine everyone's surprise when we got up before 6:00am and found it was 24 F! I checked first online (there's a Weatherbug station at the local middle school*). Didn't believe it. Hit the refresh button three or four times. It still said 24. So I groped around in the dark until I could find the temp gauge for outside the house. It said the same thing!
(*When school isn't in session, the site often defaults to the Monarch Pass station, 3000+' higher than town. Not useful unless you're going skiing.)
Probably people who get to do their CBCs in places like Florida and Texas shake their heads at those of us who are happy for start temps below freezing... but I think this might have been the balmiest start for us, ever. The lowest point of our circle is at about 7000' elevation, and parts of it are probably at about 10,000'. (Methodist Mountain elevation is over 11,000' at the summit, and we have a hearty team who hike the Rainbow Trail across its northern face for the count each year.) Teams in the higher elevations still had cold and wind, but NOT like we expected. Hooray!
In all it was a good day. I haven't run the numbers yet, but it looks like we had 74 (*nope, 77!) species, which is typical for our count. A couple of interesting birds new to the count: Lewis' woodpecker and two species of Rosy-finch. Finally! We knew the little buggers had to be here somewhere! My dear friend Tony found them and got some pics... hopefully I'll get him to send copies. In the meantime, a nice Lewis' woodpecker shot by Randy Hancock....
Many thanks to our local Division of Wildlife office, which sponsors lunch for our counters and whose officers participate in the count (often driving volunteers into hard-to-access areas of our forest-ridden count circle).
Saturday, December 20, 2008
It means that at oh-dark-hundred tomorrow morning, when the forecast calls for a balmy -1 F, bundled and binoculared crazies will gather to crawl over stream and under shrub in search of feathered wonders.
Yup. Salida Christmas (Solstice) Bird Count is tomorrow. Get out your woolies and your insulated hot beverage container.
Wednesday, December 17, 2008
1. You have to pick 5 blogs that you consider deserve this award for their creativity, design, interesting material, and that also contribute to the blogging community, no matter what language.
2. Each award has to have the name of the author and also a link to his/her blog to be visited by everyone.
3. Each award winner has to show the award and put the name and link to the blog that has given her/him the award itself.
4. The Award winner and the one who has given the prize have to show the link of “Arte Y Pico” blog, so everyone will know the origin of this award.
5. To show these rules.
And.... the Brillante Weblog Premio!
Since this one is dated 2008, I'd REALLY better get the lead out. Not too many days left in the year!
* Put the logo on my blog.
* Add a link to the person who awarded me.
* Nominate at least 7 other blogs and add links to those blogs on mine.
* Leave a message for my nominees on their blogs.
My Arte y Pico nominees are: Colors Outside the Lines, Have Dogs Will Travel, Dr. T's Teaching Blog, Paintings, Prints and Stuff, Soulsong Art, and The Illustrated Garden. Oh. And John Steins' Art Journal. And let's give Brillante Awards to Rural Chatter, Community of the Land, Hurricane Art, Making a Mark, A Snail's Eye View, and Visualizing Evolution. Probably that's too many for one and not enough for the other, but surely that gives everyone enough to read for a while, eh?
Sunday, December 14, 2008
We just have to get there from here.
Yesterday was No-Rest-for-the-Wicked Day for the DM, who had two gigs back-to-back. Can you find the Chapman Stick player in this crowd at Apogee Studio (DM gig #2)? It's like "Where's Waldo?" for musicians.
And, hm... someone a while back noted (gently) my tendency to post less-than-clear photos if my mug is present. It's my personal manifestation of mid-life crisis: I generally hate photos if I'm in them. But here we are, in front of a lovely quilt by Lori Isenberger, at her exhibition opening at the Paquette Gallery (DM gig #1).
I, of course, spent both gigs schmoozing with friends and eating entirely too many holiday sweets. But, OOOOOOH! Look what I got:
This lovely box is by Betsey Downing. The lid is covered with hollyhock, piñon, maple, and mountain mahogany seeds. Delightful! I was all set to acquire it for myself when my dear friend Jacque intervened and made it my holiday gift. Sneaky, she is.
Supporting local art ventures was still on my mind, though... so I also brought home this nifty little "mini screen" by Fay Golson. (sigh) I love having good stuff around, don't you?
Friday, December 12, 2008
Now that we've all wasted more time playing around than we care to admit, can I prove my earlier assertion that online slacking can lead to productivity?
Here's one of my many "Make-a-Flake" creations. It was simplified for its application to a 3"x3" lino block, but it's definitely where this whole mess started.
For a change I cut out the black lines of my design, instead of the spaces in between. This messed with my head in all sorts of ways, but this was the first result.
It was okay, but I wanted to give it some more depth, so I chopped out the background and printed again, this time with the graduated ink roll-up going in the other direction. I liked the way that looked, and printed it on all kinds of stuff: Hosho, some black scarpbooking paper, some dark blue handmade paper, Canson paper, tracing paper, glassine... if it was lying around, I smooshed ink onto it.
I even printed it into the new little Moleskine that arrived for Art House's sketchbook project. This might not have been a great idea, because it's taking a lot longer to dry on the Moleskine paper than it is on everything else. Oh, well!
And, of course, since the original idea was to give depth to the first print pass, I printed the second version over the first. In the end I couldn't decide what I liked best for a potential Winter Solstice greeting... so I put them side by side and...
I think that'll do, don't you?
Thursday, December 11, 2008
Monday, December 8, 2008
Must be the streetlights that make everything look so strangely orange.
(And then I walked across the street to take this picture of our house in the snow and dark. Those are my footprints. My feet are wet now.)
I am SO relieved to have this snow, since we are at less than 50% of our usual precip for the year and it makes me a little crazy to have to think about watering the trees in December.
The funny thing about this is that I decided this afternoon to do a little linocut experimentation. What am I carving? Tiny 2.5-inch snowflakes, of course. A coincidence?
This is the first pass... I carved a little more on the plate tonight and we'll see what happens next. As usual, no real plan here... but also no real goal. I spent a fair amount of time dinking around with ink additives today, so there aren't many matching prints.
But here's where the online slacking part comes in: Last year I stumbled across this "Make-a-Flake" site, which lets you use virtual scissors to cut virtual paper snowflakes. AND you can save the files. Which I did. Several times. Guess where this design came from?
So go make yourself a cup of hot chocolate and play with virtual paper snowflakes. (You can drink chocolate and cut flakes at the same time this way, because it only takes one hand to work the scissors AND hold the paper.)
Saturday, December 6, 2008
So I grumbled at Susan about it. Silly me. Her response? "I just thought it was cool that there was a photo of the café with your art on the walls."
Sure enough, in the slide show that I didn't look at because I was grumpy about houses (and gray weather with no snow and darkness at 4:00pm and holidays and....) there's an image about which I can now say with only slight exaggeration, " My work has appeared in the New York Times."
So let's see if the link to the photo works, here. (And if that link goes away, the permalink to the entire slide show is here. ) And let that be a lesson to me to not let December get the upper hand. Only two weeks until the Winter Solstice and it all starts getting lighter from here.
Wednesday, December 3, 2008
As promised, some pix and descriptions of my high-tech, highly evolved registration system.
When I first tried to make a linocut of more than one color, I used a simple paper registration system: Trace the block squarely onto a sheet of paper, draw some registration marks on the bottom sheet AND on the print paper, line up the marks and drop the paper on the inked block. Okay on unmounted lino, but there was a lot of lip-biting and swearing involved. So....
#1 - The development of the trusty jig. The base is 1/4" masonite. Two pieces of 1" x 2" pine have been attached at a right angle in the lower left corner. (I also do my inking-up here, as you can see. Probably once per edition I drop the brayer. Oops.)
Originally this was the extent of the sytem. I aligned the bottom edge of the paper with the bottom of the 1x2, and used pins on the left edge. It required making holes in the print paper and then reinforcing them with tape. It was a passable system, but the pins were prone to popping out or twisting at the exact wrong moment.
Somewhere along the line a friend suggested affixing corner molding on top of the pine boards. Seemed a reasonable idea, so....
# 2 - A closer view of the L-shaped corner molding on top of the pine boards. The little gap on the left is just a function of being too lazy to miter the corner. It doesn't matter, paper stops just fine where it is supposed to.
#3 - The highly important box of shims in a variety of widths. These are just 3/4" plywood, I think the thinnest is 1/8", the widest is 1". These slide into the lower left corner of the jig to create the desired paper margin.
#4 - Like this. These are the shims I used to create the paper margins on "High Tide Detritus." The shims are the same height as the block on which I mount the lino. This means the lino stands slightly proud of the shims- enough to help keep the paper edges clean if I have an ink smudge, but not so much that the paper bows over the block.
#5 - You can see with the print turned right-side-up how the margins are defined by the shims. (Funny, the lower edge of everything looks bent in this photo. It's not, I promise. Blame the photographer.)
#6 - More shims, fatter margins. Just make sure you get the same ones every time, and that everything is snug to the corner before you put the paper down.
#7 - The paper! It was challenging to get a useful photo of this step, but here's how I do it:
Holding the paper in both hands and suspended above the inked plate, slide the bottom edge until it butts up against the corner molding.
Still holding the paper up, gently slide it to the left until it butts the corner molding on the side.
You can see here that I'm holding the paper a few inches from the bottom. I think by now I have an automatic point at which I grab the paper to keep it off the inky plate as I slide it left. When I'm confident that the paper is snug to the corner molding in both directions, then I lower the paper the rest of the way. There's a definite "feel" to it... a sort of point at which everything feels solid and square.
#8 - So here we are, paper down in the corner, flush with both edges. Typically I put a piece of tracing paper over the back before I start rubbing the print.
With a fairly narrow margin like this one, it can be tricky to get even pressure along the edge as I'm rubbing, so I often slide the block-and-paper sandwich out of the jig corner to work the edges. This can be dangerous! If the paper is going to slidge and smudge across the plate, this is where it will happen. It's imperative to be sure your paper has good contact with the wet ink and that you are delicate about moving everything if you try to move away from the jig.
I generally have really good success with this system. In "High Tide Detritus" I mis-registered one print when I wasn't paying attention to shim position (oops), and one I bent just as I lowered the paper. It's not even off by 1/16", but it's enough in a complex piece like that to make your eyes go funny.
I typically use Hosho paper, which has deckle edges, but I do not usually have a problem, as long as the "feel" of the paper is right each time. I want the paper to feel firm and solid, but not moshed against the jig. Using a paper with cut edges would probably be divine in this system.
So that's it. None too technical, and I hope a least a little bit clear! Now go make one yourself and pull some prints!
Sunday, November 30, 2008
Ever since I moved to Salida (working on seven years ago now!), I've felt that one of the most lovely days of the year has been the day after Thanksgiving. No crush of people flinging themselves headlong into stores at dawn HERE, thank you very much. Instead, we celebrate our post-gluttony day in true small town style.
This year the DM and I went out The Morning After armed with a Forest Service tree permit, a saw, and a sense of adventure. Since neither of us owns a four-wheel-drive or high clearance vehicle, we'd secured insider information on an easy-access section of forest that's scheduled for a burn later this year. There was a skiff of snow on the ground at home, though. Who knew what the road would be like further north?
It turned out to be no big deal at all, and it was delightful to be the first vehicle to pass down a snow-dusted forest road. In short order we found a quirky little fir tree that turned out to be the exact perfect height for our front room, and we invited it to come home with us for a spell. (Later it will be part of a brush pile for wildlife.)
Decoration turned out to be a more of a challenge than we expected, especially once we decided we'd string popcorn garland. Neither of us had done this before. The only thin thread I had was transparent nylon. Our eyes are over 40.
The house still smells like popcorn and we are not finished yet. Hm.
Thankfully, by Friday evening we were forced to abandon the tree project so we wouldn't miss the Parade of Lights and the lighting of Christmas Mountain. THIS is Salida's quintessential winter event. Once upon a time the event was so small that the "parade" stood still in downtown and the people walked around to look at it, but we've since graduated to an actual, mobile procession of friends and neighbors and lights.
Our little downtown fills with people. Shops stay open late and many have cookies and gingerbread out for visitors. The Rotary club perches in the bank parking lot and gives away cider and hot chocolate. Greetings are shouted up and down the street. The parade goes by. Santa arrives to throw the switch and the iconic conical hill at the end of town becomes a ginormous lighted tree. There are two solid minutes of fireworks, and then a mass of people flows towards the river to see the memorial trees in the park. There's a jazz band and dance at the Steamplant. A concert at the café. It's a night for the community and the community embraces it with enthusiasm.
My humbugs are banished on the day after Thanksgiving. Even Ebeneezer would have to smile, just a little.
(Ooh, look. My first attempt at making and posting a little video from my still camera!)
Friday, November 28, 2008
Dealing with technology problems! Argh!
The tiny linos have friends! I expanded and renamed the Small Print Gallery the other day to include many of the linocuts I've done that are 4" x 6" or smaller. Somehow in doing so, all the PayPal code disintegrated and stopped working. Of course PayPal has changed their code-generating system since I originally built the page, too... so everything just fell apart. Bless my friend and web guru Mark, who was willing to pop over for a few minutes yesterday morning to help me troubleshoot. (I expect such dedication was helped by the fact that we were due at their house for Thanksgiving supper in the afternoon and that we were bringing "his" apple pie.)
At any rate, I think it's all working now... so pop on over and see what's been added.
The carving is finished for the last color of the shell linocut, started here and developed here and here and here. Oh. And here and here.
Geez. Is everyone sick of this thing already?
I anticipate printing tomorrow, but today we're off to find a TREE! It snowed a little overnight, so we're waiting a bit to see how the roads look before we bundle ourselves into the Cruiser. We're also going shopping for a new bed... our holiday/anniversary gift to ourselves. The one we're sleeping on now was passed on to me by friends almost 9 years ago, and it was slightly saggy THEN.
Tonight is the annual parade and lighting of Christmas Mountain. It can't possibly be that time again! Film at 11:00.
Monday, November 24, 2008
Color #6 went down without a hitch today... WHEW! It was slow going, but no major crises. I'd like to keep going, of course... now I see places I would have liked even more color depth... but the next, darkest color will be the last for this image. I'm getting twitchy to start something else!
Speaking of starting something else... last night on a whim I signed up for the Art House Co-op's Sketchbook Project. (Because I need another thing to do, right?) Art House sends each participant a little Moleskine sketchbook, participants have until February 15 to fill it up based on a theme, and then ALL of the little books are displayed in multiple venues around the country. Sounds like fun, eh?
Part of the reason this little project appeals to me is that my own journaling/sketchbook habit has suffered a bit in the last few months. Inertia has set in, so I'm hoping the Art House project will give me a little kick in my complacency.
In other news, the Darling Man and I celebrated our anniversary this weekend with a hike on the Colorado Trail to Harvard Lakes. Hiking at 10,000 feet in November without snowshoes seems not quite possible, but there we were.
Obligatory goofy-looking camera-propped-on-rock shot below.
Sunday, November 23, 2008
Keeping track of where I'm going and what I should be carving can be a little tricky, especially since I don't typically map out a color plan before I start. At this point, however, I think I only have 2 colors to go, so I can apply my tried-and-true Sharpie application method of remembering where I've been and what's left to carve.
It's SO high tech.
Basically I have a nice, fat, chisel-tipped Sharpie pen that I use to run over the sections I've carved. The contrast makes the image easier to decipher, and running the pen lightly over the raised surfaces can sometimes show where I've missed a spot. I can't do this from the beginning in multi-color prints, obviously (it would cover up all the carving-to-come), but since we're nearing the end game I can use the pen and be mindful. There won't be a lot to carve between colors 6 and 7. It's best, by the way, to NOT use a brand-spankin'-new pen for this, because all that nice, juicy ink can sometimes run down into tiny detailed carving. If the pen is a little dried out, you can rub across the surfaces and not worry about ink bleeding into the carved areas.
So here it is, ready to go. I skipped the Sharpie application in places where I still need to see delicate carving details, but everywhere else is good to go. Keep your fingers crossed....
Tuesday, November 18, 2008
At last, however, you can finally see that there are, indeed, mussel shells here. From this point on we'll be working on the rocks and eel grass in between... the shells are pretty much done and there's no going back. I'm hoping I can do what needs to be done in just two more color passes. We'll know after the next one.
Saturday, November 15, 2008
I promised myself that my first priority today would be to finish the carve and printing for the fourth color on the new, insane, shell linocut. (If you missed the beginning of this printmaking adventure, you can find it here.) So here we are, all inked up and rarin' to go.
The color went down okay... but there are still some strange things happening with some sheets of this (Hosho) paper. A few of them behave as though the paper has some sort of greasy resist to it. Heck, I dunno. So far it's not entirely a deal-breaker for those sheets, we'll just have to see as the rest of the colors unfold. I've started with 20 sheets, hoping for an edition of 12-15 prints when the image is complete. So far I've wrecked one for certain: wasn't watching my registration carefully and the third color went down 1/4 inch to the right of where it should have. Oops.
Since I was on a roll (was that a printmaking pun?), I cleaned up after color #4 went down and started the carve for color #5. It's looking now like I'm headed for at least seven colors on this beast. Hmmmm. I have an idea in my head now of where I'd like this thing to go, but what I would LIKE to have happen and what actually DOES happen... one never knows.
The nice thing about this next color is that I finally get to step away from the blue shades of the mussel shells. Preserving the blue in each of the shell shapes means clearing all those areas of lino material.. and that means bigger gouges to clear larger areas and more discernible progress. Observable progress is good for morale.
I have to call it a day now, since my neck and shoulders are getting sore (occupational hazard of spending too much time bent over carving tools), but I hope tomorrow to finish this next carve. It will be a few days before the prints are dry enough for the next color, but there's plenty to do between now and then!
Friday, November 14, 2008
One of my favorite combinations.
Yesterday at the Garden of the Gods, Colorado Springs. (Perhaps you remember that I started work on an interp panel for this location last winter. It got delayed. It started again. It delayed again. At the present time it teeters on the brink of completion. Oh please oh please.)
Our Fair City of Salida boasts fewer than 6000 folks and is two hours from just about anywhere, but that doesn't stop us from taking advantage of high tech AND low tech solutions to our local and global community concerns. Check out some Stuff Mark Told Me About:
The Salida Citizen : A local news blog! From the Citizen website-
"The Salida Citizen is an effort by the residents of Salida, Colorado to improve coverage of critical local issues, support smart decision-making, and facilitate positive communication between elected officials, City staff and concerned local citizens.
We are an experiment in citizen journalism, as described by Mark Glaser:
'The idea behind citizen journalism is that people without professional journalism training can use the tools of modern technology and the global distribution of the Internet to create, augment or fact-check media on their own or in collaboration with others. For example, you might write about a city council meeting on your blog or in an online forum. Or you could fact-check a newspaper article from the mainstream media and point out factual errors or bias on your blog. Or you might snap a digital photo of a newsworthy event happening in your town and post it online. Or you might videotape a similar event and post it on a site such as YouTube.'
We sincerely hope that by providing better access to information we can elevate the level of discourse beyond typical party politics to make Salida (and the Arkansas Valley) a better place to live. Contact us at salidacitizen at gmail dot com."
Cool, I say. Contributors so far include City officials and department heads, the Mayor, and local citizens.
And then there's the matter of Nathan Ward, a local guy with a global outlook. Nathan lives here sometimes, but more often than not he's living abroad as a journalist/photographer. The newest adventure, in Africa, began in the last few weeks. Ice Mountain Adventure Travel is all about responsible travel, so expect some stories of mishaps and mind expansion. Nathan and his mom, Suzanne, also authored a local trail guide.
Cool again, I say.
Back to Mark, who also maintains a page that tidily keeps all the local webcams in one place, and this week he added a new cam to the collection. This time of year I am a tad obsessive/ compulsive about checking the weather (especially if we're planning to go anywhere), so a one-stop local weather page lets me check over and over and over whilst keeping my weather bookmark list to a minimum.
Last, but not least... and I'm not sure if Mark sent me here himself, or if I wandered in from elsewhere, but the Salida Mountain Trails website has a great map and information about the ongoing development of great singletrack trails just across the river from downtown. Just in case you're planning on a visit or feel a need to weild a shovel on behalf of the community.
In other Salida news: I'll be back to linocuts this weekend, I promise!
Sunday, November 9, 2008
I rarely remember to take even one photo during show openings... the fact that I actually took TWO is some sort of record, I think.
After we closed up shop at the café, we wandered next door to the Paquette Gallery at the Steamplant for another reception (I had a piece in that show, too). Sadly, we missed the poetry reading and circus school performance, but we did get there in time for a little wine and some more munchies. Probably I would have been best served by going home to bed after that, but the DM was hungry (his fingers had been busy playing music, NOT consuming hors d'ouevres), so we went out to the local pub for something that qualified as a real meal.
Ooph. This morning we're both feeling the effects of heavy food at a late hour. We're also both feeling that we might be fighting "a little something sinus-y," and hoping desperately that we're wrong. It's a grayish day here so far this morning, so maybe it's a good day to just lay low and drink lots of tea. I'm not usually very good at taking days off... but maybe if I just start with a morning off....
In the first post about the process of this linocut I mentioned that I was distracted and unfocused during the time I worked on it... whic...
"The Linocut Jig." Sounds like it should be a piece of contemporary Celtic music, eh? As promised, some pix and descriptions of m...
I've written a couple of times about my funky little DIY print drying rack, but there's been some interest in it again so I thought ...