Yeah, I'm weird that way. Summer is not my favorite season.
There are a lot of reasons not to like summer, most of which are a bit whiney... but the greatest reason is that summer tends not to allow for much studio time. And studio time is kind of imperative if one intends to produce new work.
I've got one more week of workshop ahead of me, but in the past few days I did manage to squeeze out a couple of hours to start a small reduction linocut. This one is just 9" x 6"– sort of like going back to training wheels after one has been off of a bicycle for too long. Maybe.
|Linocut in progress, Step 1|
But here we go! First color pass was a flat, light, transparent gray. Nothing fancy.
|Linocut in progress, Step 2|
Of course I can never keep things simple for long... Step 2 employed both a blue-to-light blue blended roll AND a little selective wiping out of the block to keep the bird shapes clear. I'm not really settled about what I'm going to do with them yet... so I can avoid having to make decisions by not inking them at all.
Yesterday afternoon I gave a short, informal demo at the Stable Gallery in Damariscotta, Maine...but in the morning I managed to complete the third color pass... another blue-to-lighter blue blended roll.
|Linocut in progress, Step 3|
I'm still on the fence about how to handle the birds, but since they're so tiny I can continue to keep them clear of ink and make that decision after other parts of the image get a little more resolved.
Progress will slow down a little bit this week, since I'll be leading a Field Sketching course at the Farnsworth Art Museum in Rockland every day, but now that my tools are warmed up again and my brayers are rolling a more regular studio routine can't be far behind.