|Reduction linocut in progress: Step 10 on the press
The goal for these next few steps was to add some value changes to the green without making it any brighter. The best way to do that seemed to be to use a transparent warm gray... it's a mix of a skosh (technical term) of black and another skosh of sepia in a whole lot (the anti-skosh) of transparent base. And hey! Let's roll it over the entire block, no masks required.
|Step 10 printed
Not bad, not bad. We were headed into the olive-y realm with the green... and that was okay. Plus a hint of definition was developing in the bird.
|Step 11 on the press
Yes, a good call. We're seeing some subtle value changes in the water and a bit more in the bird, but the head hasn't gone too dark. Seems like we're* on the right track.
|Step 11 printed
|Step 11 on the left, Step 10 on the right.
It's like one of those "spot the differences" puzzles we did in grade school.
I was starting to feel really excited to finish up the water... one... maybe two... more passes with a gray to create darker values in the green... and then the finishing touches on the bird! Yes, let's go!
Or not. I tried to print the next color pass, but the prints were just too wet and the new ink layer printed speckly and gross. Nothing to do but clean it all up and walk away for a few days. (How lucky that I had Computer Hell to keep me occupied instead, eh?)
It's possible that I'll be able to get back to it tomorrow. Everything's still a bit tacky tonight, but hopefully by tomorrow afternoon the prints will be dry enough to get that next color pass down. I had hoped to have the entire thing finished before I run away from home for a few days this weekend... but it's not looking promising at the moment. But we're getting close! "We" need to catch that bird before she swims away!