The tern linocut needs a little more time to dry before I can print the next color, which is good because I have another project that needs some attention. (Read: Started it yesterday, must ship it on Wednesday.)
This tiny piece is supposed to be a secret, so I'm only going to show you a vague corner of the block and ask you to pretend you haven't seen it for a couple more weeks.
I haven't worked a straight-up black-and-white piece in a while so it took me a little bit to wrap my head around what I was doing.
The image needed to be printed on fairly substantial paper, so I decided to put little Elvis Press-ley to work. Elvis can't manage blocks mounted high enough for my usual hand-printing jig, which meant that I also needed to work on unmounted lino.
All of these elements together (b&w image, stiff paper, Elvis, umounted lino, short deadline) made me feel like a beginner again. A curiously satisfying experience...
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Linocut in Progress: The final step... twice. No. Three times.
Okay, let's wrap this thing up, shall we? How much more can there be? There's almost nothing left on this block! The background is ...
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Let's wrap up this scoter linocut, shall we? There has been some serious neglect going on for the one female bird in this image. Overal...
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"The Linocut Jig." Sounds like it should be a piece of contemporary Celtic music, eh? As promised, some pix and descriptions of m...

havent seen what?? :P
ReplyDeleteWait... who said that? I don't see anyone...
ReplyDeleteI think it's really good for adults to feel like beginners again. It puts you in a completely different frame of mind. I'm a high school teacher, and for me, it's a really good reminder of what my students feel like ALL the time.
ReplyDeleteAnd my, what an intriguing corner this is!
Sherrie,I really enjoy seeing your prints, you are a phenomenal artist. I love the detail but simplification of natural images and your color palettes are great. Sue K
ReplyDelete