I'm pretty sure this was Step 7. The print has gotten to that nail-biting stage when I think it's getting close to the end, but with every new color pass the goal seems to move farther away. Not quite right yet. It's not quite right.
Reduction linocut in progress, Step 7 printed |
It's time to get brave and head for some darker values. But not TOO dark yet. The challenge is always that while each new value added to the image doesn't actually change the colors already printed, visually our brains adjust and color/value relationships change.
Not sure what I mean? Look what happened with Step 8:Step 8 printed |
Look at how pale the birds' heads appear now. They aren't really any lighter than they have been all along, but adding a darker value around them makes them appear lighter.
This is probably accurate from a biological standpoint, but from an aesthetic one... hm. This is always a tricky balance for me... what is true to the "logic" of the scene vs. what is true to the heart of the scene. Piping plovers are pale and they do blend in with their beach habitat. But in this case they are also the main characters in an unfolding story of partnership and adventure. They are a calm oasis in a busy world, and I don't want them to get lost. I was worried that once the really dark markings were in place, their pale heads would visually disappear.
I decided to procrastinate this decision by making one more, slightly stronger in value, color pass. This would give me a good idea of how the final, darkest color pass might affect the overall image.
is there actually anything more to cut away that will make a difference? 😀
ReplyDeleteAlmost nothing!
DeleteKeeping the grays light. Interesting.
ReplyDelete