Sit. Stay. No, really. Sit. Please.

Days so often unfold in unexpected ways.

Color pass 1

Take today, for example. Because Friday's video interview took place in Colorado Springs, with me just standing in front of a wall of prints, I thought it might be useful to shoot some "demo" footage here at the studio and send it to the editor to cut in. (A suggestion which was received graciously by the videographers, although they were probably groaning inwardly at amateurs who have "ideas.") But, really... Maybe they could use some footage to sift through beyond Sherrie-the-talking-head?

It was a good idea, but for one small problem. Until last night I had no lino ready to work on. El nothing-o with which to demo.

Thankfully, I had a pre-mounted 5-by-7-inch block waiting on the shelf, so last night before bed I shuffled through my collection of potential images and found something "doable." My trusty Sharpie pen and I got the drawing done and I was ready to roll this morning.

Color pass 2

But, of course, the first color pass required no cutting and was, IMHO... boring to film.

So I printed it sans camera and and set to work carving for the second pass. Also boring. Well, I didn't think the carving part was very interesting for video, anyway. It was mostly little tiny marks at the top of the block. Chip, chip, chip. But we (the DM and I) shot the printing of the second pass and I decided the carving for the third pass would be more interesting.

Except that partway through the carving I decided that the second color had been too dark. So I put down my tools and printed the third (lighter) color.

Color pass 3

Oh, honestly! I think I need to send my inner border collie to obedience school. This was supposed to be a straightforward couple of shots. Carve some. Print some. Stop.

Right.

The good news is that the carving and printing of color pass FOUR satisfied my sense of what might be interesting as a demonstration. The bad news is that it took me all day to get there. (Was there something else I was going to do today? Probably.)

Color pass 4. Time to give the dog a cookie.

I have no idea if anything we shot today will make it into the final segment, but I'm not sure it matters. I'm unexpectedly four colors in to the second linocut of 2011!

I think the border collie deserves a cookie and a pat on the head, don't you?
Good dog. Now sit.

One down, 51 to go!

This morning I told my friend Claire that if the rest of 2011 unfolds as the first week has I'll be 50 pounds lighter and have no soles on any of my shoes by June. What a crazy seven days! 9-color lino-ing, show installing, sketch making, illustration researching, illustration carving, event attending, and yesterday... video interviewing!

Yikes.

A line of linocuts at the library

So let's see... linocutting and printing happened Saturday to Monday, which you've already seen. Tuesday I drove down to Colorado Springs with a car full of linos to hang a show at the Penrose Library downtown. (It's a two-hour drive from here each way.) My printmaking buddies Jean, Jean, and Sally met me for lunch and afterwards I got to take a quick tour of the printmaking facilities at Colorado College. Color me green.

On my way out of town I got a call from Ralph at ArchAngel Productions. Turns out I'm going to be the Featured Artist for the Pikes Peak Library District's public art program in February! "When can you come to town to record an interview for a segment of Off the Wall?" EEK!

Of course I was on my way OUT of town, so tentatively agreed to come back at the end of the week.

It's a map icon for a bike route. Fun, eh?

Wednesday and Thursday I cut linos for the icon project and did work on another contract project. Thursday evening I helped the DM schlep his gear down the street for the first Dies Librorum event at our local independent bookstore, The Book Haven. David and our friend Ed entertained the crowd (and it WAS a crowd) with tunes on Chapman Stick, guitar, and native flute.

Yesterday it was back to Colorado Springs for the "taping" (remember when they used to call it taping?) of the interview footage, some errands, and a quick trip to the Cheyenne Mountain Zoo for a little sketching before heading back up into the mountains AGAIN.

Yup. Tired pilgrim.

But for now it looks like I'm home in the valley until the end of the month, when a crazy succession of workshop, show down, show up juggling occurs again. Whew!

Happiness is a rack full o' prints

Yeah, baby. A brand new edition to start the year off right. Silly me, to think I would get a good night's sleep knowing there was just one color to go on this piece. Also silly to think that I would be able to focus on any of the other tasks on my list today until it was finished.

It took a couple of tries to get this last color right.. I didn't want it to look black, but my first attempts didn't provide enough contrast to make that last little "pop" that I look for. I had to clean off the block and start over more than once and I now have a big pile of a very dark something-or-other color ink to save and hopefully put to use soon.

I took a few branches out of the tree and most of the printable area out of the rocks. I definitely think it was a good call to do one more pass...

Ladies and gentlemen, may I introduce you to the first linocut of 2011? "Standing Still," 9 color reduction, 6 x 6 inches.  I haven't sorted through the prints yet, but I think the final edition will be 10. Whatever else happens this week, I already feel great about how I launched the new year!

So close, and yet...

I'm sure that at the end of the last post you all snickered into your hands and KNEW that I'd charge forward with this linocut today. I'm not sure why I challenged anyone to make a choice between working and ibuprofen except me.

It's the DM's fault, really. He felt sorry for me last night and gave my too-long-crouched-over-the-lino neck and shoulders a lovely rubdown. That, and a good night's sleep (assisted by, yes, ibuprofen) had me out of bed and ready to roll again this morning. (Roll again? Is that a printmaking pun?)

Right away there was trouble in printmaking paradise. I pulled color 5 and then decided the rocks had gone too dark, too fast. So after just a little carving for the next color I went back and covered most of it with a lighter tan before adding back a middle brown. Unless your nose is up against the print you really can't tell that there are four brownish colors here, but I am glad I went back for the lighter tone.

But now the kicker. I had expected this dark brown black color (#8) to be the last, but now I'm not so sure. It feels like it wants just a few darker bits in the tree and, dangit, I am out of time for today. Tomorrow's schedule is already quite full and Tuesday I'll be gone all day to Colorado Springs to install a show.

Ah, well... I'm not sure I intended to start 2011 at a dead sprint, but it's better than sitting around wondering what to do with myself!

Carving out a great new year!

Happy New Year, everyone! Whew! We made it.

The DM and I surprised ourselves by spending some of New Year's Eve out on the town (such as it is). We enjoyed a fine meal with friends and then celebrated New York New Year down at the local pub. What's New York New Year, you ask? Well! Let me tell you! One finds a television airing the festivities in New York City "live," of course... a party in a time zone two hours later than we are. We can watch the ball drop, cheer loudly, drink a glass of champagne, kiss someone nearby and be home in bed by 10:30.

Yeah. We are party animals. Maybe next time we'll celebrate Australian New Year and get it all out of our system the morning before.

It turns out that I was saving my energy for the first day of 2011, although I didn't know it at the time. I woke intending to get two color passes made on the little linocut I drew up last week, but ended up working straight on through the day and getting FOUR. A new record, I think. Granted, it's a very small piece (6 x 6 inches). But still....

First color pass: A blend of blues with just some tiny bits of white carved away. Followed by much more carving.

Second color pass: A blend of darker blues. Already I'm feeling sorry that most of this color will get covered up in subsequent passes. I love this combo.

I was supposed to stop at this point, but I realized that I'd already done the longest bit of carving and it wouldn't take long to do the third color. So I did.

After which I realized there was still very little carving to do before the fourth color. Which I also did.

After which it was definitely time to stop. I was starting to get some wet ink rejection AND my fingers and wrists and neck were (are) sore. But OOOOO-Wheeeeee! What a way to start 2011!

As for tomorrow... well.... There is definitely part of me (P's "inner border collie" again) that's saying, "Oooohhh! Wouldn't it be cool to have the first print of the new year entirely done by January 2?" But there's another part that's saying, "Oooooh, where's the ibuprofen?" Tune in tomorrow to see which part wins!

Multi-carving?

Whoo-ee! Look at this view from the front porch this morning. Fiery! The remainder of the day has been rather gray... rumor has it that there's a storm coming. (Although we still haven't had any snow to speak of here in the upper Arkansas River valley, so it's hard to get excited about that sort of rumor.)

It's been a good day to stay indoors and work on the icon project. I have 6 blocks carved (14 or so more to go), but haven't started printing. For this particular project I left the linoleum unmounted, something I don't often like to do. But mounting takes time and material, and mounted blocks require more space for storage than do unmounted pieces. Since these are intended to be single color prints, well, it just seemed the most efficient way to work.

The other nice thing is that the unmounted linoleum responds very quickly to being set on the space heater in the studio. Warm lino cuts like butter, a consideration when facing a long carving project. My hands and shoulders appreciate a break.

So far the most fun little block to carve has been this 1930 (late 1920s?) Ford school bus. Charming, eh?

The funny thing about this project is that I've been working on these first six images simultaneously, rather than finishing them one at a time. I keep going from one to the other... a little carving here, a little carving there. I'm usually more of a one-at-a-time, start-to-finish sort of person. I don't like having too many things to juggle at the same time. Which probably sounds ludicrous to anyone who reads Brush and Baren very often. There's usually a lot going on around here.

Ferinstance, the next couple of weeks I expect my attention to be divided by an exhibition installation, several contract illustrations, and workshop preparations. I don't think I have enough brain cells available in the current budget to start in on the 16 x 20 chunk of lino that I mounted last week, but I don't want to lose momentum. This morning I mounted a small block for a new reduction print, to add to the queue with the 20 icons.

But, hey, lest you think I'm a neurotic printaholic... (okay, okay, I see your point)... I'd like you to know I DO still have the capacity to recognize other human beings and engage them in conversation once in a while. Just ask Jill Bergman of Art on the Page! Jill and her husband live in Steamboat Springs, another mountain town about 180 miles from here, but they both have roots in Salida. We had never met in person, until today! They were down visiting family and stopped by for quick visit before they headed back to the snowier end of the state. It's so nice to have a face and a voice to accompany the delightful work Jill shares on her blog. I encourage you to stop on over there and tell her hello, and check out her little traveling print book project, too. (Thanks for taking the time to connect, Jill!)

There's another human being here I'd like to engage in conversation for a while this evening, so it's time to sweep the lino crumbs off the table and hide the carving tools from myself for a few hours. It's Wednesday night, AKA "unplug-the-technology-and-spend-quiet-time-with-the-Darling-Man-night"!

Thumbnails: Twigs and Trek

I am forever picking up "stuff" when I take walks. Sticks. Stones. Dead bugs. Leaves. Several weeks ago I picked up a small branch from a cottonwood tree and brought it to the studio, where it's been languishing.

Anxious to do a few thumbnails, I finally put that branch to work. And after I had exhausted my interest in twigs, I did a few sketches from a DVD. I don't often try to draw portraits, so it's a good stretch for me to work from character-driven cinematography. Likenesses are challenging to me, especially in a 2x3-inch format. I think this one came close, anyway.

Back to work!

Monday, Monday! It was a fine weekend, but I am ready to get back to work. (Remember that inner border collie?) I am just not good at sitting still for very long.

Granted, I was forced to sit still more than once the past few days, owing to the feats of culinary prowess demonstrated in the Brush and Baren kitchen and to the long digestion period required post-meal. The DM outdid himself this time, perhaps because his prep cook was so adept. (That would be me, of course.) Or not. He's just darn good at this cooking stuff.

Christmas Eve it was mild enough to fire up the grill. (What? In the mountains? In DECEMBER? 'Fraid so.) The last time we visited The City we picked up a Moroccan Tan Tan spice blend from our favorite purveyor of aromatic bliss, Savory Spice Shop, so grilled Tan Tan we had. Yum.

But Christmas Day was REALLY over the top. We procured a large package of lamb meat from a local purveyor, enough to make two different stews simultaneously. The rest of this week we'll be dining on alternating meals of Moroccan stew (with apricots and prunes) and a more "traditional" veggies-and-potatoes variety. Yeah. I'll be hiking straight up mountains for the next three months as penance for gluttony, but OOOOH... it's so yummy.

This morning, however, it's a tad chilly to start that hike, so attention is turned to practical matters. Last week I mentioned an illustration project that will have me carving linocut icons for wayside maps. In all the project has 20 new images to carve! Yikes! Better get moving. Towards the end of last week I worked up a few drawings and trimmed down some lino... carving will probably start tomorrow. (Today I have to work up sketches for a different project.) Should be fun to work on these icons, though. I get to carve things I wouldn't ordinarily choose: a 1920s school bus, a grain elevator, an outhouse!

Next week I'll be off to Colorado Springs for a day or two to hang an exhibition and get the new year started right! This first little show will be at the Penrose Library in downtown Colorado Springs, part of the Pikes Peak Library District's public art program. The work will be up January 4-31, so if you're in the neighborhood, stop on by.

And speaking of Muppets...

Some holiday cheer from me an' the boys to you....

Thumbnails with old friends

Muppet.* Fan.

Hang around me long enough and you'll add those two words to your list of personality descriptors. (And hopefully those won't be the only nice words on the list.) Cookie Monster and I grew up together, as I was able to remind him in a letter that was published in "Sesame Street Upaved" a few years ago. (Seriously!) I've been told I was part of a test survey when Sesame Street first aired in the 1960s, and I mourned Jim Henson's death as the loss of not one but of many dear friends.**

So it should come as no surprise that among my December rituals is the repeated airing of "The Muppet Christmas Carol." My now-decrepit VHS tape needs replacing one of these days, but so far I've managed to eek out the 2010 screenings without serious mishap.

What IS surprising is that until last night I hadn't ever tried to draw a Muppet character. Not one. What the...?

I am pleased to announce that I've now at least partially amended that oversight. (As well as accomplished a set of thumbnails.) I can also say that Kermit is way harder to draw than it seems he should be... especially during the amount of time allowed by the pause button on the VCR. But may I introduce you to The Great Gonzo as Charles Dickens and Rizzo the Rat as literary commentator?

Drawing Muppets is like drawing any other living creature. Gotta get the eyes right or it's all over.

It was a fun way to spend an evening and it dispersed some of the anxiety that starts building when my inner border collie*** isn't getting enough exercise. (***Thanks, Patrick... it's a useful image.)

Solstice countdown: It's TOMORROW NIGHT. 'Nuf said.


(*It should be noted, of course, that Muppet characters and all their attendant paraphernalia are copyrighted and trademarked and all that sort of thing. In no way are my little sketches intended to suggest any sort of ownership or to usurp authority and they are certainly not for sale. It's just practice, eh? And a bit of hero worship.)

(**At one time the entire memorial service at St. John the Divine in New York was available on YouTube. It doesn't seem to be there now, but there's still a wobbly clip of "One Person" that will break your heart. And Big Bird singing "Bein' Green"? Ach!)

Where HAVE you been?

Oh, wait. It's me who has been MIA. Sorry 'bout that.

This has to be the weirdest December ever. Instead of slowing down, as usually happens with my workload this time of year, things are at a fever pitch. As of this week I am completely booked up with contracts until at least March. No room in the schedule to add anything else if I'm going to be able to meet workshop and exhibition deadlines (which are stacked up through AUGUST). Eek!

It's all good, of course. Great, even. But hmmm. I've been procrastinating a few important tasks, like paperwork and goal-setting and studio reorganization, anticipating a little contemplative time between now and the new year.

Right. Ain't gonna happen.

Sadly, an amusing and engaging blog post ain't gonna happen just now, either, but here's a quick glimpse into the mayhem I'll share in the weeks ahead:

100 Thumbnails. Pah. Stalled. Don't know why, exactly, except that the intense mental gymnastics required to get myself through December are taking more than their share of energy. Could be I spend New Year's Eve in a marathon of sketching.

Linocuts. Well. I did finally get down the block to the lumberyard yesterday. (Yes, literally. One block.) Scored a nice sheet of 15 x 20 particle board for mounting a linoleum block. Have a biggish (obviously) new print in mind, but it's going to require some feats of PLANNING that have heretofore been ignored by this particular printmaker. Foot dragging has commenced.

More linocuts. Which are also a contract job. How cool is THIS? A few years ago I did a set of 6 black-and-white linos to be used as icons on a wayside map. And now I get to do a dozen more! That project starts Monday. (In other contract news, I'm also drawing salter brook trout and estuaries, trying to figure out how to produce a room-sized mural, and doing some research for local interpretive panels.)

Exhibitions. I delivered some "new" pieces to the Maverick Potter gallery here in Salida yesterday, and will take some new things down to the Green Horse Gallery in Manitou Springs the first week in January. At the same time I'll be hanging work at the Penrose Library in Colorado Springs as part of the Pikes Peak Library District's public art program.

Workshops. I'll be teaching a half-day "Field Sketching Basics" class and a half-day bookmaking workshop at the Rocky Mountain Bird Observatory's Old Stone House Education Center (Barr Lake State Park, Brighton, Colorado) on January 29 and 30th. Come for one or both days!


If you've made your way through this tedious recitation (I can't decide if seeing it all typed out makes me feel better about not finding time for a blog post or worse about how much I still have to do), here are a few other little treats to check out.

• My friend Roberta Smith recently launched a new blog, where she is at present posting a collage-a-day. Check out what A Fine Mess she's making.

• The DM and I were in Denver earlier this week and rewarded ourselves with a little break to see the IMAX film "Hubble 3D" at the Denver Museum of Nature and Science. I recommend the adventure, especially since images of millions of galaxies larger than our own can go a long way towards making a long To-Do list seem pretty miniscule.

• And speaking of the Darling Man, today is David's "Stickiversary"! One year ago today his brand-spankin' new, dark bamboo Chapman Stick arrived. You can wish him a happy Stickiversary on his FB fan page, if you're feeling mischievous and/or celebratory.

• That show I once mentioned in Romania? It's on, and I have a piece in it! There's a blog, Birchscapes, with lots of images from the exhibition, which will open in January. Cool.

• And here in the Northern Hemisphere we're counting the hours until the Winter Solstice. (Okay, I'M counting the hours.) Monday night we get the super-colossal-winter-solstice-full-moon-full-lunar-eclipse-and-oh-I-think-some-meteor-showers-too celestial event. Tuesday we get a few more seconds of daylight. Ask me which I think is the more exciting.

Until then, then....