|A little osprey test print|
Immediately following clean-up I was obliged to turn my attention to some contract work and other tasks that had been neglected during the several-day marathon that was the completion of "Treasured Path." But never fear! Linos are still happening.
Yesterday (Was it yesterday? Maybe it was the day before.) I spent some time futzing around with a little black-and-white piece I carved as a demo back in December. I recently purchased some Canson Editions paper and wanted to give it a try, along with having another go at printing on Arches 140# cold press watercolor paper.
It quickly became clear in both instances that I achieved better results on damp paper, at which time it became even more clear that if I am going to make damp paper a habit I need a better system. But eventually I pulled some nice prints and learned a few things, so the day was deemed a success.
I also re-callibrated Presston in anticipation of this:
|Uh huh. It's what you think it is. Large and complicated.|
But printing won't start for a few days because I have to borrow some equipment, namely a large roller. I intend to cover this block with not one, but two, 18" wide blended (or rainbow) rolls. The widest blended roll I've ever done is a scant 8," because that's the widest brayer I own. (Well, I do have a REALLY large roller, but it needs repair and I haven't used it.)
Luckily the awesome printmaker Jean Gumpper (Go look at her work. Right. Now.) has agreed to loan me one of her large rollers... so...oooh! Things are going to get exciting (and somewhat scary) around here towards the end of next week.