Showing posts with label Arts & Birding. Show all posts
Showing posts with label Arts & Birding. Show all posts

Monday, July 22, 2019

The Summer Sessions....

After a solid month of workshop facilitation I finally see light at the end of the one-thing-after-another tunnel. I've got two more short workshops coming up in the next week, but then, whew! I'll have some time back at home and in the studio, catching up with framing and shipping and getting ready to start some new linos.

The past few weeks have been great, though... a lot of time outside in the field! Right on the heels of my exhibition opening at the Museum of American Bird Art I had a grand group of field sketchers at the Farnsworth Art Museum in Rockland.

Farnsworth Field Sketchers in a friend's garden.

We enjoyed a busy week visiting the beach, the farmers market, and the garden of a friend who lives just a couple of blocks from the museum. We also spent a little time indoors working on drawing and watercolor skills.

Watercolor skill-building at the Farnsworth Art Museum

A few days after that class finished I was off to my annual gig at Hog Island Audubon Camp. "Back in the old days" when I lived in Colorado, coming to camp involved a couple days of travel on either end. Now I live 20 minutes from the camp's mainland dock! I'm still not sure if that's good or bad.

The Arts & Birding team: me, Jean Mackay, Derrick Jackson, Drew Fulton

My first week on the island was for the Arts & Birding session, which I co-facilitate with the fabulous Jean Mackay. If you don't know Jean's work, you owe it to yourself to check it out.

The photography section of our week is led by filmmaker Drew Fulton (he who made the short film about my work in the previous post) and photographer/journalist Derrick Z. Jackson.

Evening salon at Hog Island

One of the highlights of the Arts & Birding week is the evening salon. Every night, just before dinner, anyone who wants to share puts out sketchbooks or laptops with slideshows running, and lively conversation ensues. It's a lovely way to come together and see what everyone has been up to during the day.

My second week on Hog Island was for the high-energy Educators' Week. About 50 educators serving the spectrum of learners from PreK to college, schools to nature centers, came together to share ideas and experiences for outdoor education.

Sketching in the gardens at Hog Island

Of course I always make sure there are opportunities for field sketching at camp! We also make journals, and this year I even managed to squeeze a quick printmaking session onto the already-packed schedule.


And in an amusing twist, a few of the new printmakers decide their prints could translate well as temporary tattoos...



I came home this weekend, did the laundry, paid some bills, answered some email, and now I'm ready to pack a bag again! I'm headed back down to Massachusetts for another quick little workshop at the Museum of American Bird Art, and I'm looking forward to catching up with folks in the Boston area. Then it's back to Maine for a printmaking class at the Coastal Maine Botanical Gardens... at which point it will already be August! Stay tuned.



Saturday, July 14, 2018

Time Out for Arts and Birding

Sketching in the flower garden, Hog Island Audubon Camp

The loon linocut sits waiting to be completed, and it will have to sit for one more week before I can get back in to the studio.

It has to be something pretty special to drag me away when a piece is as close to completion as the loon is, and Hog Island Audubon Camp is definitely special.

I've been traveling from Colorado to Maine to be an instructor at the camp since 2008. The commute is a lot shorter now that I live nearby, but that doesn't diminish the magic of island time.

This past week's session was Arts and Birding, and I was fortunate to team teach the drawing and painting track with the brilliant Jean Mackay. Campers spent a fun week practicing sketching and watercolor skills, working both in the field and in the lab. We hiked to beautiful locations and explored sea life in the intertidal zone, and of course we took a boat trip out to see puffins. Because what's Maine without puffins?

Tomorrow the campers arrive for Educator's Week, so there's more adventure to be had. But next weekend I'll be back in the studio and happily putting the last few passes on the loon. Stay tuned!


Drawing from the specimen collection (and, yes... they always looked this serious!)

Sharing work at nightly salon

Looking for sketching subjects at low tide

Obligatory puffin shot

Evening light at Hog Island

Saturday, June 10, 2017

The Maine Event - 2017

If you've been checking in with Brush and Baren for a while this won't be the first time you've encountered a post with photos from the coast of New England instead of the Rocky Mountains. I've been migrating east to be an oh-so-fortunate member of the instructional staff at Hog Island Audubon Camp since 2008, and coming to this chunk of Maine rock every year feels like coming home.

Arrival dock, Hog Island Audubon Camp in Maine

This year I'm an instructor for two sessions, Arts & Birding (which starts tomorrow) and Educators Week (which is in July). In between I'm taking care of some tasks relative to the Audubon Artist Residency here on the island and presenting a 2-day Reduction Linocut workshop at the Museum of American Bird Art in Massachusetts. It's a busy summer... but aren't all summers busy?

The highlight of every Hog Island camp session is a boat trip to Eastern Egg Rock, home to a restored Atlantic Puffin colony that is the focus of research and education for Project Puffin. I tagged along on a trip last week and took advantage of the opportunity to be a participant instead of an instructor.


.
Many threatened bird species are colonial nesters, and biologists have successfully used decoys and other techniques (like vocal recordings) to attract birds to suitable habitat. It's a strategy called social attraction; you can think of it as "make it look and sound like a (tern, gannet, puffin, albatross, oystercatcher) party and they'll come."

Social attraction techniques require decoys of the focus species, but it's not like one can walk in to the local hunting outfitter and buy an Atlantic Puffin off the shelf. For many years the manufacture of seabird decoys for bird conservation was the province of Mad River Decoys in Vermont, but when the owners of the company decided to retire, Project Puffin moved the factory here to Maine.

Which is a long introduction to this photo:

A different kind of face painting

It's not a lino, but this blog is called Brush and Baren. That's me, painting face details on a Laysan Albatross decoy.

I did spend a little time this week with my journal, but starting tomorrow we'll be "all sketching - all the time" until next Friday. Hopefully I'll have a thing or two to share with you along the way.


Thursday, January 5, 2017

First week of January... It's time to think about the SUMMER!

We're "enjoying" a full-blown winter storm here in the Heart of the Rockies today. Howling wind, single-digit temps, horizontal snow.

So of course it's a great day to think about a sunny island off the coast of Maine, where I'll be an instructor for a couple of programs in June and July!

Registration is underway for all the programs at Hog Island Audubon Camp: Ornithology programs for adults, bird and marine studies for teens, family camps... and my personal favorites – Educators' Week and Arts & Birding. Scholarships and early registration discounts may still be available, so be sure to check out those links as well.

Program descriptions below, but feel free to contact me if you have any questions. I hope to see some of you on the island this summer!

2016 Arts & Birding guest instructor and National Geographic illustrator
Jonathan Alderfer helps participants understand bird and feather anatomy.

Arts & Birding 
June 11-16
Immerse yourself in the sights, sounds, and rhythms of life on an island on Maine’s stunningly beautiful rocky coast! You’ll find plenty of creative inspiration in the company of artists who share an enthusiasm for birds and nature and you’ll be able to learn from some of the country’s best photographers and artists. This program includes fun birding adventures, as well as more in-depth study in your choice specialty of photography or sketching/painting.

We’ll explore the island’s spruce forest, tide pools, and striking vistas, and take a boat trip to Eastern Egg Rock to see Atlantic puffins. The week includes opportunities to learn new skills through your choice of workshops on photography or sketching, journaling and painting. We will also offer longer blocks of time for you to immerse yourself in your art. This program is ideal for beginners as well as avid birders, artists and photographers. No experience or talent needed! Just a desire to experience and enjoy birds in fresh, new ways.

Hog Island tidepool
Island view as the tide recedes
Sharing Nature: An Educator's Week
July 16-21

Learn practical approaches and add inspiration to your environmental education curriculum during this action-packed program. Our experienced and enthusiastic instructors share their favorite approaches, methods, and activities for engaging both children and adults with nature.

Workshops using techniques in art, music, theater, journaling, and other disciplines will be presented, as well as a host of classic Audubon Camp field trips, including a boat trip to the restored Atlantic Puffin and Tern colony on Eastern Egg Rock, intertidal explorations, and hiking through Hog Island's unspoiled spruce-fir forest. These experiences provide a wonderful opportunity to be learning outside in a beautiful setting, while also considering how you can take back some of these insights and methods to your students back home. We'll be exploring citizen science, creating some inquiry-based lessons on birds and other topics, and demonstrating both low and high-tech methods of teaching.

Sunday, July 24, 2016

The Maine Event, 2016 version

There's been some serious neglect going on here at Brush and Baren and apologies are definitely in order. The pace of the last few weeks has allowed for the occasional Instagram or Facebook post (mostly because one auto-posts to the other), but a format requiring thought and articulation? Not so much.

I'm in the east! The eastern US, anyway. I've been on the coast of Maine for just over two weeks, running amok with back-to-back sessions at Hog Island Audubon Camp.

Warming up in my own journal on an overcast arrival day.

First up was Arts & Birding, a week of sketching and painting skill-building, bird anatomy drawing, and trying to put it all together in the field. Another group was also learning and practicing photography skills, and each evening before dinner we came together for an informal salon. It was great fun to see and share in everyone's work.

Evening salon in the Fish House

Arriving with our Arts & Birding campers was our third Bingham Cottages Artist-in-Residence, writer Alex Dunn. Alex spent two weeks off the grid out at the cottages, coming back to camp in the evenings to share our evening meal and even to conduct some interviews as part of his book project. (And okay, to have a shower and use the wifi, too.)

Unfortunately I was so busy during Arts & Birding that I didn't have time to take many photos... a situation that improved only slightly during the following week's Educators camp.

Field sketching in the island's hummingbird garden.
Makers on the beach at Sand Cove, Hog Island Audubon Camp

One night during Ed Week we explored night activities... astronomy, insects, games... and bioluminescence! There are luminescent critters in Muscongus Bay, and it's SO fun to lie on your stomach on the dock, gently swirl the water with your hand, and watch the sparkles! I wish I could get a photo of it to share with you... but I'm afraid you'll have to settle for the full moon over Crow Island.

Full moon rises over nearby Crow Island.

While camp sessions are now over for me this season, my time on the east coast is not! This week I'll travel down to Massachusetts for a few days to teach a workshop and present a lecture at a reception for my work at the Museum of American Bird Art at Mass Audubon. Then it's back to Maine for Hog Island Audubon Camp's 80th Anniversary celebration and to welcome the island's next Artist-in-Residence, Sean Murtha. Whew! Another wild summer vanishes like a guillemot carrying a red rock eel.  (You don't think that's too esoteric a reference, do you?)


Of course it's friends and colleagues who make the time here extra-special, and despite our chock-a-block schedules we always try to sneak in a moment or two to just be together. Sometimes the moment for stopping all work and just hanging out is completely obvious. Like this one:


Or this one.


And of course, this one.


Because what's a trip to Maine without sunsets and puffins and friends? Find your moment, wherever you are!

Linocut in Progress: The final step... twice. No. Three times.

 Okay, let's wrap this thing up, shall we? How much more can there be? There's almost nothing left on this block! The background is ...