Linocut in Progress: Yes, really

Alrighty, then. Pressing on. (Get it?)

When we last left our linocut hero, she had just wrapped up the fourth color pass on the current print in progress. As a reminder, here's what it looked like:

Reduction lino in progress: Step 4

Looking okay so far... but what the heck... let's put another blue pass on here, just because we can.

Linocut in progress: Step 5

Here I must again apologize for poor photography. I just haven't found a good spot in which to take in-progress shots in the new space. Natural light through the large sliding door leaves a sort of greenish tinge, and through the windows the light is really inconsistent. And under artificial light there's too much glare from the wet ink. I'll figure it out one of these days.

In the meantime, the Step 4 photo is really too dark. Step 5 is a little closer to true.

At this point I felt it was time to focus a bit on the bird. There's one more transparent blue layer to go over the entire piece, but not before a little gray-green in the bird's face. So what does this mean, boys and girls? Another mask, of course. But this time instead of masking out the bird, I masked out everything else:

Step 6 mask in place

The color change in the face is subtle, but perhaps you can tell:

Step 6 printed

Okay.

I'm not really convinced that I'm going to be able to pull this face off the way I'd like, but there's nothing else to do at this point but keep plowing forward. (Which, coincidentally, is what this duck is doing. Plowing forward. Through the water. Oh, nevermind.)

Up to this point we've been dealing with Subtle This and Subtle That. Nice, but a bit boring. And you know what happens when Sherrie gets bored. Things tend to get... well... ridiculous.

Like this.

Green!

That there, my friends, is an awfully bright green. It verges on obnoxious. But here's the thing. That little wave being pushed forward by the bird has a rich green undertone that I would love to replicate. I didn't want to mix the exact green at this stage, because the value change would be too extreme. At the same time I didn't want to wait to put down the green, because too many other ink layers below it would interfere with both the translucency and richness.

It's a scary color. Even now when I look at the prints hanging on the rack I wonder if it's too much, but, hey. As a friend said to me long ago: If you're not falling down, you're not trying hard enough. He was talking about skiing, but whatever.

Here's the ink rolled up on the block. I neglected to take a photo of the masks in place, but yes, I masked most of the background, since I absolutely didn't need to be putting this crazy green all over the entire image.

Ink rollup before mask

And here (gulp) is what I have now.

Linocut in progress: Step 7

Hm. Yeah.

The next color pass will be another transparent blue, which will theoretically tone down that craziness and re-harmonize the overall piece. Note that I said theoretically. Stay tuned to see if I can pull an inky rabbit out of my well-chewed hat.