This crazy duck has a pink-and-black bill, and of course I don't need the pink anywhere else, so as soon as the prints were dry enough to work around the bird's face I decided it needed a little pochoir. I've talked about this technique before... basically it's an old hand-coloring technique that I occasionally employ when I need a little bit of a color in one small area.
So, voila! The bird has his pink bill.
|Reduction linocut in progress, Step 10.|
I am really starting to despair about the value of the colors on the shadowed side of the bird. I think I'm going to have to resort to some drastic measures before this thing is finished. But making that judgment is just going to have to wait a bit longer.
I'm challenged by this water, too. Despite using light-to-dark blended rolls I feel like the water is just a bit flat. In the photo everything looks a bit gray, but in real life I felt it was too bright, so I mixed up some gray-blues and did a top-to-bottom, light-to-dark blended roll over the entire block.
Well. Almost the entire block. Since I'm concerned about the face, I went ahead and masked that out so I wouldn't complicate things any further.
|Do we dare call that a facemask?|
If the prints are dry enough when using a mask, the mask will stay stuck to the block when the print is peeled back. If they are too tacky, sometimes the mask will stick to the print... and getting it off can be a nail-biting experience. Luckily, these were, as Goldilocks once said, juuuuust right.
And here's where we are now:
|Reduction linocut in progress, Step 11|
The green is finally just right, too, so the next step will be to leave a little bit of that luscious color and then darken the rest of the wave. Somehow. I haven't quite figured that out yet.
I have a little bit of time to think about it, because tomorrow morning I'm off to Florida (what?) for the Society of Animal Artists' annual exhibition and members' meeting. The 58th Art & the Animal exhibition is currently on view at the brand new James Museum of Western and Wildlife Art in St. Petersburg and continues through October 28. There's an artist "meet and greet" reception on Friday evening, so if you're in the area, I'd love to say hello. The Friday night event requires a ticket, so check out the museum's website for more information.
I'll be back in the studio next Tuesday, hopefully with dry prints and a fresh idea about how to wrap this thing up. Oh, and if you haven't been following me on Instagram, you might have missed this little up-and-coming project.
What's it going to be? Heck if I know. But it's going to be... something.