Still, things are moving ahead on the current linocut, if not as quickly or smoothly as I had hoped.
After all the mucking about with masks of the last few color passes, I really wanted a couple of straightforward steps. This is challenging because of course I'd like to keep too much green out of the tree trunks and too much brown out of the tree needles.
But my masks haven't been precise (they never are), and things were starting to look a bit scattered, so I wanted a color pass that would be unifying without destroying the color temperatures. Hmm. What about a nice transparent gray?
Reduction linocut in progress, Step 9 |
Yes! That will do nicely. Browns are still brown, greens are still green, and it all seems more coherent again.
Now what?
I would really like to resolve some of these trees better.. and soon... but I am on the fence about the background. Will I get a better effect from keeping the darkest darks in the far distance... or should I leave the distance sort of middle-value and the foreground trees darker? Decisions, decisions.
And since I still couldn't decide, I took a risk with the next overall color pass and mixed a lovely gray-green.
Transparent gray-green rollup |
Purdy, isn't it? It looks alarming on the block, especially over the tree trunks, but it's very transparent and I crossed my fingers that basic color theory would be my friend. The existing trunk color is a sort of reddish-brown. Transparent green over that should become more brown... shouldn't it?
Reduction linocut in progress, Step 10 |
Oh, whew! That worked.
So now it's back to the carving table. I think the focus now will be on the trunks... to get some of their texture established. I'm on the fence (again) about what the next color pass should be. I really want to wrap this up soon, so I'm considering one transparent brown pass... or maybe gray? Or maybe blue-gray. Or....
its looking good :) def needs a bit more darks somewhere as it reads a bit flat but you will pull this off :) you could go either way with the dark areas but your brain tends to go for dark distances unless its a prairie desert scene
ReplyDeleteYes, I think I'm sort of settling on shadowy dark in the 'way back. I carved on it for many hours today and I'm still not quite ready to print.. but maybe tomorrow!
DeleteI love seeing the progress on this (& your other works!). Fascinating!!! This is wonderful!
ReplyDeleteThank you, Robbie! And thank you for taking the time to comment and say hello!
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