Monday, March 21, 2011

Blue + Yellow = Blue! Hooray!

A nervous moment this morning when I lifted the corner of the first blue-over-yellows attempt...

Who says you can't print blue over yellow? Click to embiggen.
Yup. That'll do. Actually, I might make another blue pass tomorrow... the value seems a skosh darker than what I want, but I need to wait until it dries more before I decide. Sherrie-the-Impatient's need to get this blue down this morning when yesterday's yellow was still tacky made for a little more color lifting than was... erm... entirely necessary.

I was so nervous about this step that my original design called for a lot of this blue to get covered up in subsequent passes. Now I think I might fudge the design and try to hold a little more blue, just because I like it so much.

So... for those of you wondering if I sold my soul or something to get this to work... the short answer is no! I'm working with oil-based inks, and the addition of copious amounts of titanium white to ultramarine blue made it opaque enough cover the yellows. I used no transparent base at all.

I would have liked to have the blue transparent... I love the luminosity of transparent inks over the bright white Hosho paper... but this is not an image for which I wanted to carve multiple blocks. I lose interest if things get too complicated and if I can't do a certain amount of "impulse carving" along the way. Now that I know this works, though... I'm already thinking about other images.

8 comments:

  1. I think this is stunningly beautiful! Good going! I love the rhythm of design and the balance of the colours.

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  2. love the colours and sense of movement in this :D

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  3. Hmm, my once-ever blue-over-yellow attempt didn't turn out well at all. That was using watercolors as ink, though.

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  4. "Skosh"? Is that a precise printing term? Okay, seriously, Wow! It's a treat to see your work going in new directions. Congrats!

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  5. This looks great. One caveat using oil-based inks over each other -- they get shiny after 3 or 4 passes, so you might want to keep that in mind. It looks gorgeous right now. 8-]

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  6. Yes, Susan, of COURSE it's a precise term. Much more precise, for example, than the word "splooge." ;-)

    Ellen, I always use oil-based inks, and find that keeping layers as thin as possible prevents premature shininess. The chief culprit seems to be white ink... if I'm careful about how much I use, I usually do alright.

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  7. This is already a favorite of mine! I embiggened it a skosh.

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Linocut in Progress: The final step... twice. No. Three times.

 Okay, let's wrap this thing up, shall we? How much more can there be? There's almost nothing left on this block! The background is ...