The image I'm working on is inspired by a photo I took several winters ago on the Phantom Canyon road below Cripple Creek. I like the pattern of light and dark in the photo, but the camera recorded the shadows as a single, flat blue. Okay in a photo, boring in a linocut.
So my goal is to print some variety, but I'm scratching my head over which bits to take out when.
Step 2, easy enough:
Looking okay, but the blue feels a little bright. For the next pass I took the scraps of this color and added some burnt sienna (color turned greenish) and purple (back towards a grayed-down blue).
As you can see, the ink is very transparent. Just in case you haven't noticed yet: I love transparent color.
Step 3 printed:
I definitely like the color and value of this pass, but I'm still not ready to chop out huge sections of shadow. So I carved out a few more small areas, added a wee bit more violet to the existing ink, and printed again. Step 4:
This particular pass was done in front of a live studio audience... sort of. I needed some new process shots for a presentation I'm doing next month, so a friend came over to take some photos while I worked. I rather liked this "reveal" image with a little Instagram filter effect. (Which... surprise! Is now in my Instagram feed.)
Reduction linocut color pass #4 reveal |
I love how transparent base is your friend. Have you triend Gamblin's? It is buttery smooth and not so sticky. (Just wondering.)
ReplyDeleteI bought some Gamblin's but haven't tried it yet. I bought their white, too... it sits here waiting for me to decide I need something opaque! ;-)
DeleteIts great to have photos of you working, proves you are not a robot ;)
ReplyDeleteI love all the blues but don't envy you having to print it all
Robot? What. Makes. You. Think. There. Might. Be. A. Robot. Here? Does. Not. Compute. ;-)
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